The New York Times Wednesday September 16, 2026
Director Christopher Nolan’s film The Odyssey was a summer hit, making more than $1.6 billion at the global box office. The epic is the first feature film shot entirely with IMAX cameras, but it comes as part of broader revival of physical film after the digital revolution seemed to have left it for dead, notes The New York Times, which recently visited Kodak’s headquarters in Rochester, New York, to see how cinema film is made. Film is not a technology, Nolan argues, adding: “It’s a medium. It’s a very important medium. And media, they don’t become obsolete. They exist in parallel.” Read the full Story >>
British Journal of Photography Wednesday September 16, 2026
Palestinian-Lebanese-American photographer Rania Matar was a child when, in 1974, she saw the Holiday Inn Beirut gutted in the first years of the Lebanese Civil War. The building was never repaired. Half a century later Matar returned to photograph young women inside the hotel’s ruins, creating a portrait of people navigating a country in perpetual crisis. By the time the images were collected in the new book Where Do I Go?, war had returned to Lebanon “with a question impossible to ignore,” notes the British Journal of Photography. Read the full Story >>
DIYPhotography Wednesday September 16, 2026
Finding the right photographer can be a nightmare for couples, notes DIY Photography: Traditional wedding directories can leave brides and grooms scrolling through page after page of suppliers, while photographers can spend too much time dealing with enquiries that aren’t a good fit. That’s why UK wedding photographer Richard Skins created UNVL (pronounced “Unveil”), a wedding platform launching in October that matches couples with suppliers based on their actual preferences. Think Pinterest meets Hinge, but built for the wedding industry. Read the full Story >>
ARTnews Wednesday September 16, 2026
To celebrate Swedish fashion brand Acne Studio’s 30th anniversary, acclaimed fine-art photographer and activist Nan Goldin shot an ad campaign that captures what the brand calls “the people in [Acne’s] creative family.” Goldin’s sitters include artists Jonathan Lyndon Chase, and Sandra Poulson, actor and musician Juliette Lewis, musician Ellie Rowsell, model and photographer Guinevere Van Seenus, photographer Jordan Hemingway, actor and model Raya Martigny, and actor Rila Fukushima, notes Art News. Read the full Story >>
