Associated Press Thursday March 13, 2025
References to a World War II Medal of Honor recipient, the Enola Gay aircraft that dropped an atomic bomb on Japan and the first women to pass Marine infantry training are among the tens of thousands of photos and online posts marked for deletion as the Defense Department works to purge diversity, equity and inclusion content, according to a database obtained by The Associated Press. More than 26,000 images that have been flagged for removal across every military branch. But the eventual total could be much higher.
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David Schonauer Thursday March 13, 2025
"The joy of being a science photographer is that I must learn about the things I am documenting to produce communicative and trustworthy images, intended as a form of data, for the researchers who
welcome me into their laboratories." So notes Felice Frankel, a photographer and researcher in the Chemical Engineering department at MIT. Writing in the journal Nature, Frankel wondered recently
whether generative … Read the full Story >>
Andy Mumford Wednesday March 12, 2025
In January, photographer and YouTuber Andy Mumford spent 10 days in the snowy hills of Hokkaido, Japan, and he came away inspired. “The huge amounts of snowfall there make for incredibly clean scenes, and so composition revolves around finding simple and minimal images,” he notes in his new video, in which he explains how keeping things simple leads to starkly beautiful winter images. Get out and capture your own winter scenes before spring arrives!
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It’s Nice That Wednesday March 12, 2025
In January 2022, London-born artist Jacob Lazarus toured the Jordan Valley, West Bank, while working with the Jordan Valley Activists, an Israeli group supporting Palestinian communities. Cameras – in the form of CCTV, smartphones and body or dash cams – are central to their activism. Using the organization’s footage from the last seven years, Lazarus began a collaborative installation and publishing project, "Frames of Annexation." The work, notes It’s Nice That, “encourages a deeper and more intentional engagement with images of violence.”
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