Simon Roberts: A Global View of Home
Unfolding political events and breaking news are not generally thought of as subject matter for photographs meant to be seen on gallery walls rather than in the news media. But Simon Roberts, whose background includes university studies in human geography, has pushed the limits of his medium to do just that.
The implicit theme of Simon’s work over the last ten years has been the apparent desire of people who identify with their territory in having a sense of belonging to it and to their neighbors. Whether through the Russians he photographed from Moscow to Vladivistock for Motherland (Chris Boot 2007) or his fellow countrymen, met through countless encounters in We English (Chris Boot 2009), he has sought meaning in commonality. He reveals how a sense of Englishness imbues people across different classes and backgrounds, mostly viewed through the experience of leisure, and largely set in pastoral or seaside landscapes.
In We English, Simon takes a fairly close point of view of smallish groups of people, which underscores his attachment to his subjects, clearly expressed in the title. In Merrie Albion, however, he takes a long view from a high perspective in photographs of masses of people who have left their homes to gather in public spaces. You might think this would create a feeling of distance, yet it has the opposite effect, as if: We are all in this together.
Annual Eton College Procession of Boats, River Thames, Windsor, Berkshire, 2017
As Americans face the uncertainty—and the opportunities—that lie in the upcoming mid-term elections, a close look at Simon Robert’s Merrie Albion will surely shed light—as well as an appropriate tinge of darkness—on who decides how our social, cultural, and global landscape should be organized, and how they arrive to that privilege.
Broadstairs Dickens Festival, Isle of Thanet, 2008
A
selection of images from across Simon’s career will be presented at Flowers Gallery/New York, with an opening reception/book signing on Thursday, November 15, from 6 to 8 pm. 529 West 20th
Street, NY, NY Info.
Simon will be in conversation with Bill Hunt on Saturday, November 17th. Please
contact the gallery for info. newyork@flowersgallery.com/212 439 1700
For more on Simon Roberts, go here. For more on Merrie Albion: Landscape Studies of a Small Island (Dewi Lewis 2017), go here All photographs © Simon Roberts, courtesy of Flowers Gallery New York.
For the DART feature on Motherland,
by Simon Roberts, go here. CV19.EX.BOOK