Retracing. June 2020. From my personal series COLLAPSE, which imagines the aftermath of an unnamed apocalyptic event. Based in part on the collapse of the Iron Age—which itself resulted from a combination of political uprisings, trade routes cut off, and most sobering, a plague, COLLAPSE has an uneasy kinship to our own dystopian present. And like the coronavirus pandemic, during which the series was photographed, it shows how vulnerable we are despite our modernity.