Capturing the Determined Faces of FARC
“In her remarkable photo essay 'From the Shadows to the Light,' the French photographer Nadège Mazars has emulated the chiaroscuro of the Italian painter Caravaggio to evoke the transition that is under way in Colombia following fifty-two years of civil war,” notes Jon Lee Anderson at The New Yorker. Mazars’s …
Read the whole story at The New Yorker.